He begins his speech and then pauses.
I know you, he says. Did you ever work at Waterstone's in Greenwich?
Never did, I say. Never been in the employ of Waterstone's.
He narrows his eyes.
I did run a bookshop in Clapham, though, I say.
That's it, he says. That's where I know you from.
I nod.
I used to be a regular customer, he says.
I know, I say.
I remember, he says, I was in the shop one day and it was empty except for a little girl who was talking to you. She was playing with one of those cut out dolls and nattering away to you. And I just listened to the conversation. It was magical. Later of course I used the scene in a film script. The film script never got made but it did get me an agent.
Did you, I say.
It turned out that the agent was useless and I spent the best part of two years on the dole.
You did? I say.
But then, he says, I got another agent who was brilliant. That was fifteen years ago and I made so much money writing screenplays that I've now retired. I bought my house for cash, I've got some invetsments and I never need to work again.
Really, I say. Congratulations.
I'm rich, he says.
That's great, I say.
And you, he says, I see you're still selling books. Well done. It must be hard.
I look up to the ceiling and consider using my hidden net; the one that will fall from above to capture him and hoist him away.
I see you're still wearing lifts in your shoes, I say.
Outside the weekly ambulance pulls up outside the pub.
Anyway, he says, I've written this children's book.