I renewed my lifesaver’s certificate last Friday, which involved a full day of imagining all the ways your swimmers could die. What larks. Worse, once we’d been scared witless, we had go to rescue them all. With CPR and head splints and bear hugs and bear splints. We go through this every two years and you’ll be pleased to know that the stuff we learn and practise, remains in our brain for about.. ooh.. three weeks, before we become a headless chickens once more. That it stays in our chlorine shrivelled heads for that long is a miracle, in no small part due to our trainer, a stringy patient bloke called Mark.
Then, you don’t see your Rescue Test teacher from two years to the next, and within a weekend you are standing next to him in the pouring rain queuing for Thai curry at the Hop Farm Festival in Kent. How weird is that. And how different we look in our civvies.
There was a ton of queuing going down at Vince Power’s ethically bearable Neil Young Fest, but fabulously, it was all at the kind of food stall you’d find on the front at Hunstanton or, under the arches at Brixton market. Being a total loser, the last event like this I attended was a couple of years ago to see Madness at the Lokereenfest in a Flemish chunk of Belgium of countryside which was branded to within an inch of its redneck life and while the only brown faces visible were those of the nutty boys on the stage, the field was a riot of mega global sponsorship with phone companies and drinks logos all competing fluorescently behind balloons and banners and tarty bints in skimpies, male and female. Here, the Hop Farm sizzled in a veil of rain as old fashioned smelly burgers and fried onion vans rubbed shoulders with headshop tents flogging rafts of legal highs and Kath Kidston style flowery enterprises, all pinnyed up and cheerful, offering the healthy alternative to liquid animal fat in a bun. It was all so low-rise and well, un-balloony.
And that went for the backstage area too; me and Melony – for it was she – thanks to the kindness of a loyal Bookseller Crow outpatient, had passes to the artists’ bar and, ergo, lavs. Aside from some extra bogroll and no holes in the floor, the area was refreshingly unstarry, with no Paula Pryke floral extravaganzas or marquee to marquee sponsored hospitality. Yes, the press were kept away from the creatives and, suspiciously, their bit looked comfier than ours, but it was all reassuringly on message and low-key.
Better still, the famous were forced to rub proverbials with the great unwashed in the arena as there was no VIP enclosure to keep the pristine rich and successful separate from the riff-raff in navy blue gortex. And when they’d done clapping along to the Supergrass refrain, we are young, we are free, they had to queue to get back into the safe chilly bar back with their friends.
The performances were pleasantly measured too. Perhaps it was an anticipatory response to the maestro headlining but the nice plain line-up, with no frills, save a silly hat from Rufus Wainwright, sort of turned the volume up gently. The atmosphere was cuddly in the moshpit (for Rufus? Imagine!) as opposed to heated and this, me and Melony agreed, was down to the demographic. For the crowd was the safest, sensiblist, most studious bunch of olive crunchers this side of Glynde. The place was a sea of green shooting chairs full of sixty-somethings in cowboy hats and kagoules, balancing plastic wine goblets on their Independents on Sundays. Occasionally, a thirty year old yoof disguised as a chav would stagger round the picnic blankets cupping his gonads and pretending to be pissed but as soon as he got out of earshot to the front of the falafel & pitta queue, he let go of his balls and the estuary accent and asked for extra hummous, please.
Me and Melony played a game of Hop Farm Cricket: 2 runs for recognising someone, 4 for somebody you knew to talk to, a bye for an over heard reference to East Dulwich and a wide for someone you hate, and I ended up with a fuckload of runs. And yes, it even went over the boundary rope when I saw a small boy walking behind a small man, calling Dad! Dad! And Bob Mortimer turned round.
Don’t get me wrong, I totally enjoyed the pleasant and organised atmosphere: there was a distinct lack of emaciated annoying smackheads wobbling about; there was barely a curl of fag smoke, let alone good old-fashioned Mary Jane, and the patchouli dipped flower children of yesteryear were replaced by hoards of urchins from Hennes and Moritz scavenging for papercups. At one point I witnessed two lads up to no good – they had pinched the recycling man’s wheelbarrow and were attempting a high-speed chase, but the maze of pop-up pup tents meant the guy in an unlogo-ed day-glo donkey jacket soon caught up and tipped them out petulantly. I didn’t see a single rozzer all day.
Not that there weren’t moments when the desire for recklessness was overwhelming and I wanted Bobbie Gillespie to go naked, wave his winkle and actually persuade the crowd to get their rocks off. I mean, they are called Primal Scream for god’s sake: I needed anguish and passion and blood and guts. The Primals could have squashed their bums collectively against the cameraman’s lens and provided us with an enormous pressed ham for the big screen on either side of the stage, but I doubt the woman beside us would have looked up from her paperback. Instead, it was like the Carter’s Steam Fair of festivals. No simmering sexuality hanging nonchalently off the sparking pole on the back of the dodgem, but some lovely paintwork on the swingboats.
Mindyou, there I was taking the rise out of the wrinklies in their gale battered Peter Storms trying to suck out a strawberry vodka jelly from a little pot (can you think of a worse way to consume alcohol?), when I stood up to welcome the star of the show on stage, I didn’t half feel stiff.
Neil Young soon sorted the the dilettantes from the die-hards. Two thirds into his relentless set, the pilots left to catch their planes back to the mock Tudors in Thames Ditton. I’m glad he didn’t play Southern Man. It would have seemed like too much of a commercial gesture. Instead, the number before the encore was vast, and long and totally intoxicating and those that had come for a colour supplement version of Woodstock, simply didn’t have the legs. The effect of this authentic behemoth wildman, both lost in and in command of his sound, magnified by the screens, was of an ogre roaming the cloudy top of the beanstalk, whilst we tapped and swayed in our mediaeval village below.
Afterwards, the surge to the gates was an orderly nylon swish. The bit where I truly wished that I was a barefoot twenty year old again again, was in the effing fiasco of actually getting away. In the distance I spied Mark the Lifesaver buying a hotdog from a lone ice-cream van while we were gridlocked in our VW Transporters and 4x4s, Kas and, in my case, a third hand Squashed Tomato, our engines and expletives polluting the planet for the next three hours it took to get out of the field. In the old days, I would have given a finger to the flock of sheep piling out of the pen. I would have stuffed work and Monday morning and hunkered down under a coat on the back seat, swigging Jack Daniels and kipping through the chaos. But as a fully-paid up welly-wearing square and grown-up, I just wanted my bed. And Neil? I bet he went back on his horse….